London Fashion Week has begun and
I'm wearing 5 inch heels for most of the time (11 hours in total today
and i'm in a bit of pain) and trying to look fabulous. Its quite
exciting, on the first day all the street style photographers are out
and so you get your picture taken quite a lot. Won't lie i'm pretty
chuffed at the amount of people wanting to take my photo aha. One by the
sunglassesshop.com company, they gave me a pair of Prada baroque
sunglasses to model!! Oh I didn't want to give them back. Secondly sky
tv! Then some dude, Oggy Yordanov wanted my picture, turns out he's
making a street style book and i'm going to be in it! He's done a
previous book called New Club Kids, which is pretty cool.
Waterstones
£16.09
Sunglassesshop.com
Out of stock
Here are the reports of the shows I attended today!
Arriving just on time in a luminous setting, the show started with a structured tuxedo with a regal attitude.
There was a strong androgynous feel throughout the show with hips
structure protruding out the jackets and scarves bulging out of the
necklines. White heavily pleated trousers were added with a strong
Japanese feel slowly entering the collection.
There was a waistcoat in a white satin, with chiffon billowy sleeves
added there were large subtle spots printed onto the chiffon which
shimmered down the catwalk. A dark Victorian element was being
recognised but also a Japanese twist was entwined.
Inspired by Oscar Wilde’s gothic novel, The Picture of Dorian Gray,
there was a constant masculine silhouette with cinched in waists to
maintain the feminine figure. Keeping to the Japanese twist, silks and
folded bows were added to jackets which created an elegant look. A
traditional Japanese print was used on a kimono style jacket matched
with long floaty tailored trousers.
Lots of volume was inserted at the shoulders and hips with structure,
this reminded me of Vivienne Westwood as there were lots of silk crepe
satins.
Organic colour palettes were used, such a grey/golds, one dress was
beautifully structured with stripes going round diagonally in spots.
With a stunning sheer folded colour rising high, it maintained the regal
elegant look the Japanese have. Mixing traditional and modern together,
one piece which really stood out was the structured white tulle dress
which resembled a lantern and had a minimalist corseted top.
Sannita Hancock
Photos by Elle.com
Sass & Bide’s show was held in the beautiful glass conservatory
building of the Royal Opera House, the light streaming through the
windows was gorgeous and set the scene for a summer collection.
The front row was dotted with celebrities such as Peaches Geldof,
Diana Vickers, Paloma Faith and Dionne Bromfield also the girl who plays Ginny Weasley in the Harry Potter
films was sitting front row. It was amusing to see the divide between
celeb front row being swarmed by cameras and directly opposite, industry
figures such as Harold Tillman not getting a look in!
The show began with a delightful summer tune and a navy blue and white
side split maxi polka skirt that were common throughout the show, navy
blue was paired with neons and coral as well as neon plastic accessories
and flashes of glitter material. The collection was laid back and
screamed of the Riviera despite the neons native to the dodgier holiday
destinations of Greece.
The silhouettes were light and streamlined, with a relaxed 90’s
edge
which continued even through a spate of safari looks with navy on beige
with warrior like embellished chest plates and sheer fabrics.The
collection turned to evening wear with sport luxe jackets, tailored
red harem trousers and midi dresses in an array of colours. Structure
became more prominent with asymmetric white dresses with huge sparkling
white collar details.
The black evening gowns were shimmering wet look midi dresses with gold
details and accessories. Although the collection showed a lot of skin
with relaxed draped, sporty necklines, side split skirts, sheer fabrics
and cut outs; it was classy, and sophisticated – the Sass & Bide
woman imagined to be a gorgeous fashionista, aware of her beauty but not
throwing it about.
Jemima Daisy
Photos by vogue.com
Set at the Savoy, the layout out the show was beautiful and grand.
Every silhouette that glided the plush carpets was elegant and
serene. The asymmetric dresses were made of flowing silk fabrics
beginning in whites to create that ultra chic simplistic look. Capes
were added to the backs of dresses to add more movement into the
beautiful garments. Some had lovely soft prints of greens and black
which blended in a streaky but fluid way into whites.
Grachvogel draped
each piece stunningly making sure the feminine figure was maintained
when the waist was unseen. The slash necklines really emphasised the
neck adding to the ultra elegant chic look, with lengths reaching down
and below the knee the models graced down like goddesses. The
lightweight fabrics clung softly against the skin showing off the
contours of the body nicely, a low v neck was seen which turned a plain
dress into something quite sexy.
A snakeskin print emerged in a light merky green suit which worked
really well into the collection as it progressed to be printed onto
chiffon tops with hints of pink. One outfit had red and white snake skin
printed onto a top and cape which look unique and stylish. A bright
lime plain dress was spotted as well as a bright pink which created a
vast variety to the colour palette. Throughout the show there was the
baggy back look which made the models look classic and delicate.
More
prints appeared but this time in a horizontal symmetrical print using
light candy colours. The pattern almost looked as if squash had been
mixed into water. Overall it was a stunning wearable chic show.
Sannita Hancock
Photos by Elle.com
I did go to another show, Caroline Charles, but it was so bloody
awful i'm not going to waste my time writing about it really. Looked
like something in Marks and Sparks a few years ago.
After all the shows, we had a nice glass of champagne to finish the day.
